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I Want To Eat Your Pancreas Anime Eng Sub

02.09.2019
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I Want to Eat Your Pancreas
君の膵臓をたべたい
(Kimi no Suizō o Tabetai)
GenreComing-of-age[1]
Novel series
Written byYoru Sumino
Published byShōsetsuka ni Narō
Published2014
Novel series
Written byYoru Sumino
Illustrated byloundraw
Published byFutabasha
English publisher
PublishedJune 19, 2015
Manga
Illustrated byIdumi Kirihara
Published byFutabasha
English publisher
Seven Seas Entertainment
DemographicSeinen
MagazineMonthly Action
Original runAugust 25, 2016May 25, 2017
Volumes2
Live-action film
Let Me Eat Your Pancreas
Anime film
Directed byShin'ichirō Ushijima
Produced byKeiji Mita
Written byShin'ichirō Ushijima
Music byHiroko Sebu
StudioStudio VOLN
Licensed by
ReleasedSeptember 1, 2018
Runtime108 minutes

I Want to Eat Your Pancreas (Japanese: 君の膵臓をたべたいHepburn: Kimi no Suizō o Tabetai), also known as Let Me Eat Your Pancreas, is a novel by the Japanese writer Yoru Sumino. Initially serialized as a web novel in the user-generated site Shōsetsuka ni Narō in 2014, the book was published in print in 2015 by Futabasha. A manga adaptation ran from 2016 to 2017. A live-action film titled Let Me Eat Your Pancreas premiered in 2017, and an animated film premiered on September 1, 2018.

I Want To Eat Your Pancreas Anime Eng Sub
  • 2Media

Characters[edit]

'Me' (「僕」'Boku') / Haruki Shiga (志賀春樹Shiga Haruki)
Voiced by: Mahiro Takasugi[2] (Japanese); Robbie Daymond[3] (English)
Sakura Yamauchi (山内桜良Yamauchi Sakura)
Voiced by: Lynn[2] (Japanese); Erika Harlacher[3] (English)
Kyoko (恭子Kyōko)
Voiced by: Yukiyo Fujii[2] (Japanese); Kira Buckland[3] (English)
Takahiro (隆弘)
Voiced by: Yuma Uchida[2] (Japanese); Kyle McCarley[3] (English)

I Want To Eat Your Pancreas Anime Movie Release Date

Sakura's mother (桜良の母Sakura no haha)
Voiced by: Emi Wakui[2] (Japanese); Dorah Fine[3] (English)

Media[edit]

Novel[edit]

Yoru Sumino originally published the novel as a web novel on the user-generated content site Shōsetsuka ni Narō in 2014, before Futabasha republished it with cover art by loundraw on June 19, 2015 (ISBN978-4-575-23905-8).[1][4] English publisher Seven Seas Entertainment announced their license to the novel on March 15, 2018, and it was released on November 20, 2018.[5]

Anime

Manga[edit]

Idumi Kirihara began serializing a manga adaptation in Futabasha's Monthly Action magazine on August 25, 2016,[6][1] and ended the series on May 25, 2017.[7] The chapter were compiled into two collected tankōbon volumes, published on February 10, 2017 (ISBN978-4-575-84925-7),[8] and June 20, 2017 (ISBN978-4-575-84993-6).[9] The manga is also licensed by Seven Seas, who released the first volume on January 22, 2019.[5]

Live-action film[edit]

A Japanese live-action film based on the novel, titled Let Me Eat Your Pancreas (君の膵臓をたべたいKimi no Suizō o Tabetai),[10] starring Takumi Kitamura and Minami Hamabe in the lead roles premiered in Japan on July 28, 2017.[1] The film was also shown in South Korea at the Busan International Film Festival in October 2017,[11] and in Malaysia on November 9, 2017, where it was distributed by GSC Movies.[12]

Anime film[edit]

A Japanese animated film adaptation of the novel, titled I Want to Eat Your Pancreas (君の膵臓をたべたいKimi no Suizō o Tabetai, stylized as I want to eat your pancreas),[3] was announced in August 2017.[1]

The film is written for the screen and directed by Shin'ichirō Ushijima and produced by Keiji Mita at Studio VOLN,[13] with music composed by Hiroko Sebu.[13] Yūichi Oka provides the character designs and serves as chief supervising animator. Yukako Ogawa is the background supervisor and is assisted by Yoshito Watanabe. Sound effects are produced by Noriko Izumo under the direction of Jōji Hata. Compositing for the film was supervised by Hiroshi Saitō and directed by Mayuko Koike. Koremi Kishi serves as the 3D CG director, and Yoshinori Horikawa is the color designer. The film is edited by Yumi Jingugi.[13]

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The film's theme song is 'Fanfare' (ファンファーレ) and the ending is 'Shunkashūtō' (春夏秋冬, transl. The Four Seasons). Both songs are by the band Sumika, who also played voice acting roles in the film.[14]

The film is distributed by Aniplex in Japan, and premiered in theaters on September 1, 2018.[15][13]Aniplex of America announced at Anime Expo 2018 that they would release the film theatrically in North America,[16] premiering it at the Animation Is Film Festival in Los Angeles on October 21, 2018.[17] Aniplex of America later announced at Anime NYC 2018 that the film would be screened in the United States subtitled on February 7, 2019, and with an English dub on February 10, 2019, in collaboration with Fathom Events.[18]Madman Entertainment announced at SMASH! 2018 they would be releasing the film in Australia and New Zealand,[19] premiering the film at Madman Anime Festival in Melbourne on September 16, 2018,[20] with a wider release premiering from October 18, 2018.[21] The film premiered in the United Kingdom at Scotland Loves Anime on October 14, 2018,[22] winning the Audience Award at the festival.[23]

References[edit]

  1. ^ abcde'Kimi no Suizō o Tabetai Coming-of-Age Novel Gets Anime Film in 2018'. Anime News Network. August 6, 2018. Retrieved January 15, 2018.
  2. ^ abcdehttps://kimisui-anime.com/?cast
  3. ^ abcdefhttp://iwanttoeatyourpancreas.com/?cast
  4. ^君の膵臓をたべたい. Futabasha (in Japanese). Retrieved January 15, 2018.
  5. ^ abRessler, Karen (March 15, 2018). 'Seven Seas Licenses I Want to Eat Your Pancreas Novel, Manga'. Anime News Network. Retrieved March 15, 2018.
  6. ^本屋大賞2位の青春小説「君の膵臓をたべたい」を桐原いづみがマンガ化. Natalie (in Japanese). August 25, 2016. Retrieved January 15, 2018.
  7. ^紺野あずれの新作ラブコメが月刊アクションで、創刊4周年の色紙プレゼントも. Natalie (in Japanese). May 25, 2017. Retrieved January 15, 2018.
  8. ^君の膵臓をたべたい 上 [Let Me Eat Your Pancreas Part 1]. Futabasha (in Japanese). Retrieved January 15, 2018.
  9. ^君の膵臓をたべたい 下 [Let Me Eat Your Pancreas Part 2]. Futabasha (in Japanese). Retrieved January 15, 2018.
  10. ^https://www.toho.website/movies/yourpancreas
  11. ^'Mary and The Witch's Flower Lead Actress Hana Sugisaki Awarded at BIFF'. Anime News Network. October 14, 2017. Retrieved January 15, 2018.
  12. ^'Kimi no Suizō o Tabetai Live-Action Film Opens in Malaysia in November'. Anime News Network. September 11, 2017. Retrieved January 15, 2018.
  13. ^ abcdRessler, Karen (March 15, 2018). 'Let Me Eat Your Pancreas Anime Film Reveals Main Cast, Staff, Trailer'. Anime News Network. Retrieved March 15, 2018.
  14. ^'I Want to Eat Your Pancreas Anime Film Casts sumika Band Members'. Anime News Network. August 22, 2018. Retrieved August 26, 2018.
  15. ^'Coming-of-Age Anime Film Let Me Eat Your Pancreas Reveals Early Fall Debut'. Anime News Network. January 14, 2018. Retrieved January 15, 2018.
  16. ^'Aniplex of America Announces Anime Film I want to eat your pancreas Coming to Theaters'. Anime News Network. July 6, 2018. Retrieved July 16, 2018.
  17. ^Ressler, Karen (September 19, 2018). 'Mirai, I Want to Eat Your Pancreas, Okko's Inn, Modest Heroes Films to Premiere at L.A.'s Animation is Film Festival in October'. Anime News Network. Retrieved September 21, 2018.
  18. ^Ressler, Karen (November 16, 2018). 'I Want to Eat Your Pancreas Anime Film's Dub Cast Announced Ahead of February U.S. Theatrical Release'. Anime News Network. Retrieved December 16, 2018.
  19. ^Madman Entertainment [@Madman] (July 16, 2018). 'Exciting news! We've just acquired the touching new film 'I Want to Eat Your Pancreas'. A young boy finds a secret journal from a popular girl in his class and learns that she has an incurable illness… a secret they share that brings their hearts closer together. 🌸' (Tweet) – via Twitter.
  20. ^Madman Anime Festival [@MadFest] (August 17, 2018). 'Prepare your emotions for the Australian Premiere of the heartfelt and visually stunning masterpiece 'I Want to Eat Your Pancreas' at #MadFest Melbourne 2018! 🌸 mad.mn/iw2eyp' (Tweet) – via Twitter.
  21. ^I Want To Eat Your Pancreas - Official Theatrical Trailer (YouTube video). Madman Entertainment. October 3, 2018.
  22. ^'I Want to Eat Your Pancreas (N/C 15+)'. Glasgow Film. Retrieved August 29, 2018.
  23. ^Scotland Loves Animation [@lovesanimation] (October 20, 2018). 'The winner of the Scotland Loves Anime 2018 Audience Award is… I Want to Eat Your Pancreas Congratulations to the winning film, and thanks to all who voted!' (Tweet) – via Twitter.
I want to eat your pancreas anime eng sub ep 1

External links[edit]

Novel
  • I Want to Eat Your Pancreas novel at Seven Seas Entertainment
  • I Want to Eat Your Pancreas (novel) at Anime News Network's encyclopedia
Comic
  • I Want to Eat Your Pancreas comic at Seven Seas Entertainment
  • I Want to Eat Your Pancreas (manga) at Anime News Network's encyclopedia
Animated film
  • Animated film official website‹See Tfd›(in Japanese)
  • I Want to Eat Your Pancreas (anime) at Anime News Network's encyclopedia
  • I Want to Eat Your Pancreas on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=I_Want_to_Eat_Your_Pancreas&oldid=898479409'
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Alternative Titles

English: I want to eat your pancreas
Japanese: 君の膵臓をたべたい

Information

Episodes: 1
Aired: Sep 1, 2018
Licensors:Aniplex of America
Source: Novel
Duration: 1 hr. 48 min.

Statistics

Ranked: #662
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Members: 129,599
Ranked #66Popularity #827Members 129,599
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Synopsis

The aloof protagonist: a bookworm who is deeply detached from the world he resides in. He has no interest in others and is firmly convinced that nobody has any interest in him either. His story begins when he stumbles across a handwritten book, titled 'Living with Dying.' He soon identifies it as a secret diary belonging to his popular, bubbly classmate Sakura Yamauchi. She then confides in him about the pancreatic disease she is suffering from and that her time left is finite. Only her family knows about her terminal illness; not even her best friends are aware. Despite this revelation, he shows zero sympathy for her plight, but caught in the waves of Sakura's persistent buoyancy, he eventually concedes to accompanying her for her remaining days.
As the pair of polar opposites interact, their connection strengthens, interweaving through their choices made with each passing day. Her apparent nonchalance and unpredictability disrupts the protagonist's impassive flow of life, gradually opening his heart as he discovers and embraces the true meaning of living.
[Written by MAL Rewrite]

Background

Kimi no Suizou wo Tabetai is an anime adaption of Yoru Sumino's novel of the same title. Originally a web novel published on the user-generated content site Shōsetsuka ni Narō in 2014, it was subsequently re-published in 2015 by Futabasha. The English licensor, Seven Seas Entertainment released the novel in English on November 20, 2018.
A Japanese live-action film based on the novel, which also shares the same title, premiered in Japan on July 28, 2017.
Source - https://en.wikipedia.org/wiki/I_Want_to_Eat_Your_Pancreas

Related Anime

Adaptation:Kimi no Suizou wo Tabetai

Characters & Voice Actors

Yamauchi, Sakura
Main
Lynn
Japanese
Shiga, Haruki
Takasugi, Mahiro
Japanese
Takimoto, Kyouko
Supporting
Fujii, Yukiyo
Japanese
Miyata, Issei
Fukushima, Jun
Japanese
Takahiro
Supporting
Uchida, Yuuma
Japanese
Yamauchi, Mother
Wakui, Emi
Japanese
Shiga, Mother
Supporting
Tanaka, Atsuko
Japanese
Shiga, Father
Miki, Shinichiro
Japanese

Staff

Ushijima, Shinichirou
Director, Script
Hata, Shouji
Sound Director
sumika
Theme Song Performance
Mendez, Erica
ADR Director

Edit Opening Theme

Edit Ending Theme


More reviewsReviews

1 of 1 episodes seen
Karhu(All reviews)
262 people found this review helpful
Overall4
Story0
Animation0
Sound0
Character0
Enjoyment0
'I Want to Eat Your Pancreas' is a common drama production to this industry. It offers generic school settings with rather superficial teenage characters. The only thing it tries to accomplish is toy with its viewers' emotions to the point of some cheap tearjerking. Those who are okay with this will most definitely see how the movie accomplishes exactly all the thing it wants to. Those who want something more from anime, should look elsewhere.
This movie is a story about death. It starts when the most perfect mary sue on the planet starts randomly talking with a no-life loser dude who happens to be her classmate. Our characters start frequently interacting with each others and supposedly grow close. They hang out and talk about dying all the time. That's pretty much the entirety of their relationship. It feels random and forced and unnatural.
Our dude is dense and has never had any friends during his pathetic life. that's pretty much him. Our girl is really perfect and chill and that's also pretty much her. The catch being that she will die soon which further makes these two character - who are the opposites of each others (according to the narration at least) - even more the opposite because the dude is actually alive. Great.
The drama is a separate entity in the work, mainly because it is there constantly whispering to the characters --and especially to its viewers ears-- that shit will go down, just wait and see. Since the great twist is obvious from the start, the whole thing relies on the journey.. where nothing spectacular ever happens and the characters feel more like meridians that try to connect the viewers to the emotions.
One could defend most of the events by looking it more from the characters perspective. I found this to be quite hard as they don't feel like real, genuine people at all. If they did, it would be understandable for our heroine to open up to a stranger, as to most people, it's often easier to talk with 3rd parties than to people close to you. Especially the whole fear of death is amazing as a concept, but I don't really see it as anything more than waste of potential in this case.
The whole main dude realizing that people actually die in real life is definitely quite an interesting idea as well. at least to those who have never experienced this type of thing or considered that all of this could happen to literally anyone. I doubt any person who is aware of how fragile thing person's existence is, can find this specific work do them any further waking up enlightenment, other sudden realization of such things or offer much feels at all. If this movie ever serves someone, it's those viewers who are unaware of how life works, and instead of following our characters for what they are, fall into self-insert. This is one of the rare things with what the author seems self-aware of, as they say 'to live is to empathize with someone.' And moreover, named the male lead simply 'boku' which means 'I/me'.
There are also several other things I'd want to complain about. Like the claim in narration that our characters are 'pure and innocent.' Which is really just a try hard attempt on making the viewer accept these thoughts, but the content (teenagers and alcohol) and our characters behavior (random snapping incidents) among several other scenes is the polar opposite of what I'd considered to be either of these things. which further makes me question the author's ability to even recognize their own work for what it is. I can't say I feel very respected as a viewer when such contradictions exist in the narration. or perhaps my comprehension of 'pure' just differs with the writer.
Our writing is practically a collection of romance cliches. The only remotely original things are the concepts which it deals rather poorly with. Every event, every side character archetype and every moment that drives the story and the relationship development onward, is loaned content. There is not a single thing any romance fan hasn't seen at least 50 times before, and not only that, but the execution is so lame that I would call it offensively bad if the work managed to be less bland, but unfortunately it's not even worth of getting mad over.
If this had been 50 episodes long tv series that offered a real character portray to both of our main characters and their life, connected them, dealt with the same heavy themes. all the copy-pasted events and cliches had been abandon and the story was written by Adachi Mitsuru: this could have been the best drama the anime industry has to offer. Now it mainly looks like a random, shallow past story from any fighting tournament shonen from Nanatsu no Tanzai to Naruto except there is no character depth present in this movie and therefore it is significantly worse than let's say zero arc from Fairy Tail which dealt with rather similar concept.
1 of 1 episodes seen
AurumGG(All reviews)
222 people found this review helpful
Overall8
Story0
Animation0
Sound0
Character0
Enjoyment0
Kimi no Suizou wo Tabetai (I Want to Eat Your Pancreas) is predictable, heavy-handed, unoriginal, and, yet, I still love this film. I do not love the movie in any sort of guilty-pleasure way either; I unironically think Kimi no Suizou wo Tabetai is one of the best anime films I have ever seen. Why, though? Well, the film uses its predictability, heavy-handedness, and unoriginality to craft a message that is so unbelievably powerful, and it struck a chord with me and left my emotions in absolute, complete shambles. I honestly doubt most people could misinterpret the themes of Kimi no Suizou wo Tabetai, so I also want to try and dig into why this movie hits so hard, for so many.
Spoiler Warning: I am going to spoil the entire movie (but so does the movie itself). If you choose to opt out here, know that I highly recommend this film.
There are two main themes of Kimi no Suizou wo Tabetai. The first is spelled out on for us on the heroine’s, Sakura’s, dairy, “Living with Dying”. Sakura has a pancreatic illness that will eventually cut her life short. As anyone would be in this predicament, Sakura is terrified. She tries to come to terms with her situation and live her remaining days as the same carefree girl she was before. Everyone’s time will eventually end, and, unfortunately for Sakura, her time will end a bit earlier than most. No one knows when they will die though—not even Sakura. Before her illness can even take her life, Sakura is stabbed in the streets and dies at the age of seven-teen. The film clearly sets up Sakura’s death to be an abrupt one, but this was the one event that even caught me slightly off-guard. The first scene of the movie is Sakura’s funeral, so, just like Sakura, the viewer is supposed to enter the story with the acceptance of her death, but, just like Sakura, we struggle to. No matter what, death will always be sudden, frightening, and sad. The way the film handles Sakura’s death should have be obvious to the viewer, but even if you see it coming, it still somehow catches you off guard, just like Sakura. Kimi no Suizou wo Tabetai weaves Sakura’s feelings into the viewing experience itself and forces the viewer to empathize with her situation. If the movie did its job, the viewer will be sobbing by the end of the film, just like Haruki.
Without Haruki, Kimi no Suizou wo Tabetai would be a hollow experience. Sakura’s story might be powerful, but it is Haruki’s that is truly moving. Prior to meeting Sakura, Haruki is a shell of person. He has no personality, no emotions, and he shuts himself off from the rest of the world. Sakura is the first person to extend an olive branch to him, and throughout the time Haruki spends with Sakura, although reluctant, he slowly starts to open up to her. For the first time in his life, Haruki makes a connection with someone else. Haruki knows that Sakura will not be around for much longer, but just like everyone else, he cannot handle losing her. After her death, Haruki starts to close himself off again, but he is not the same person as before he met Sakura. Haruki starts to realize how difficult being alone really is and starts pursuing other relationships. Although Sakura is gone, her impact on the people around her, especially Haruki, will remain. Haruki is meant to be a surrogate character for the viewer, and, because he so basic at the start of the movie, he is extremely easy to project yourself onto. At the emotional climax of the film, Haruki breaks down into tears alongside the viewer, strengthening the bond the two share and makes the following message of “the importance of connections” hit even harder.
No doubt, the story of Kimi no Suizou wo Tabetai is constructed with the main purpose of eliciting specific emotions and sending home simple, but still important, messages, and the production does more of the same. The film has strong animation and direction, but the real standout is the music. Although the OST has a few solid tracks itself, the most memorable part is definitely the handful of songs done by Sumika. They do the OP, ED, and an insert song during a pivotal scene, and all of them hammer home the emotions being felt by the viewer and adds even more to an already great experience.
I recognize that Kimi no Suizou wo Tabetai is not the film some people want it to be. The movie is certainly a shallow one: predictable, heavy-handed, and unoriginal. Although the movie might be simple, it is still effective. Kimi no Suizou wo Tabetai is not the type of movie that is supposed to spark discussion (even though I am still doing it lul), it evokes a feeling and leaves impact. In my opinion, two movies that tackle similar themes better are Colorful and Koe no Katachi, but both of them are certainly more flawed than Kimi no Suizou wo Tabetai. Actually, I consider both those other two to be in my top-ten anime of all time, so hopefully by me considering Kimi no Suizou wo Tabetai to be their equal, you can understand how much I truly do love and recommend this film.
1 of 1 episodes seen
TheDragon3042(All reviews)
143 people found this review helpful
Overall5
Story4
Animation7
Sound7
Character3
Enjoyment4
THIS REVIEW CONTAINS SPOILERS.
A lot of anime fans seem to be under the impression that as long as some sort of tragedy is featured and said tragedy happens to a cute girl, an anime automatically qualifies as “good” with its flaws being dismissed due to its label as a ‘tearjerker’ or ‘feels’ anime. Kimi no Suizou wo Tabetai, or ‘I Want to Eat Your Pancreas’, is a recent addition to this label and, while falling into the same traps as many of its predecessors, the movie manages to accumulate even more flaws on its own, resulting in something that is ultimately underwhelming.
[Note: This review was written following the movie’s premiere in Australian cinemas. I have not read the source material. Once again, the review is NOT spoiler-free]
STORY: 4/10
Kimi no Suizou wo Tabetai’s story, having been done dozens of times before, is very basic: it revolves around an unnamed protagonist (let’s call him Character A) as he spends time with Yamauchi Sakura, a popular classmate whose days are numbered due her terminal pancreatic disease. As Character A helps Sakura ticks off her bucket list, he develops a close relationship and eventually falls for her. Following her death, Character A breaks free of his shell and learns to befriend those around him. On the surface, the plot structure is sound and has the potential to pull the audience’s heartstrings, if done right.
Except it wasn’t.
By treading ground on what has been done to death before in the plot department, Pancreas exposes itself to the risk of being extremely predictable. While this is not inherently a flaw, the movie’s presentation seems to be fully set on sapping the enjoyment of the audience, being narrated in the most uninteresting way possible by Character A. While one could argue for his lack of energy in the delivery of lines to be tied to his characterisation, it doesn’t change that Character A’s monotony worked against the intended emotional impact of many scenes.
And yet, this wasn’t the biggest issue with the plot. In fact, for something so cliché, Pancreas’s greatest vice, ironically, is its attempt to subvert audience’s expectations.
Given the synopsis, most people in the audience would expect the movie to eventually lead to Sakura and Character A’s tearful farewells as she lets go of her last breath on a hospital bed, succumbing to her illness with a satisfied smile on her face. Although this is very conventional, it would have worked. However, in the actual movie, Sakura died from being stabbed off-screen. Yes, stabbed. By a serial killer on the loose.
What?
There is no excuse for this “twist”. Even if the killer did not appear out of nowhere (thanks to an extremely poor attempt at “foreshadowing” or Chekhov’s gun or whatever earlier in the movie), to remove Sakura from the story in this way is, at best, questionable, and, at worst, utterly nonsensical. One could greatly reach in linking this stupid development to the philosophical message that “death may come from every corner” but the sheer silliness of the situation completely nullifies the intended emotional effect. When you look past the shock value, all that remains is, quite frankly, comical.
After this shocking twist, the plot quickly resumes its original course until the conclusion, leaving much to be desired due to the lack of originality and monotonous presentation.
ART: 7/10
Pancreas’s art is conventional but pleasing to look at. Except for Character A (who looks completely unremarkable), the character design is serviceable. Background art for the movie is quite good and up to the expected standard of a theatrical anime production. Animation is nothing exceptional for the most part aside from a couple sequences that are animated in much more detail. A minor complaint is the movie’s use of still-shots montages, which cheapens the audience’s impression of the movie’s production.
SOUND: 7/10
The best part of the movie. sumika did a great job with the opening and ending songs, and the OST, while nothing exceptional, did its job when required.
CHARACTER: 3/10
Character A is a blatant self-insert for the audience. From the generic ‘anime male high school student’ design to demeanour, he is utterly unremarkable as a character for most of the movie’s running time. He has little personality on the outside, exuding no energy in his narration and interaction with other characters. While the behaviour is not completely unrealistic considering that he is a loner, it makes for a jarring watching experience as the audience is forced to follow the perspective of someone who almost never expresses his opinion. The lack of more extensive inner monologue makes the unnamed protagonist hard to relate to or like. On the rare occasions that Character A vocalises something other than some form of “Yes”, a large amount of his dialogue revolves around the gag that he has no friends. While it was somewhat funny (in a sad way) at first, the excessive repetition of this character trait got old very quickly and only highlights how little Character A has going for him outside of his status as the outsider in the class. As a result, the development that Character A later received after Sakura’s death felt unnatural and forced due to plot reasons.
As for Sakura, the movie desperately tries to sell her as an emotionally fragile girl hiding behind a carefree mask. In reality, her character is never effectively explored past the ‘cutesy anime girl’ act. How the movie examines the more sensitive side of Sakura’s psyche is anything but subtle, with her telling Character A (and the audience by extension) outright that she was fragile underneath her cheerful demeanour. With that being the case, Sakura is more like a caricature of a person close to death rather than a relatable character to be invested in. Pancreas’s failure to bring out and develop Sakura’s character in a poignant way is a major reason why the movie lacks any meaningful emotional impact and fails as a ‘tearjerker’.
The relationship between the two characters is questionable, to say the least. By conventional (anime) logic, the combination of a quiet character (Character A) and a lively character (Sakura) provides an ideal environment for them to play off each other’s personality traits. Yet, there is little dynamic between the them, to the point that one must wonder how the relationship is able to sustain itself without the plot requiring it to. Character A appears perpetually uninterested in pretty much everything he does, as if he was sick of her shenanigans. Interestingly, this is probably the most realistic and interesting part of his character considering Sakura’s characterisation. She acts selfishly and becomes increasingly more obnoxious as the movie goes on, forcing Character A to tag along with her to anything she feels like. Despite his reluctance, Character A always plays along with Sakura’s whims anyway, the cause of which can be traced to Sakura’s regular mentions of her dying soon in a cheerful demeanour. All this shows is that Sakura is manipulative and is constantly guilting Character A into feeling bad for her. The impact of Sakura’s unnecessarily cruel antics comes to a boiling point during the bedroom scene. While the protagonist’s behaviour is undoubtedly wrong, Sakura is not at all faultless in bringing about the situation. What is more disappointing is that this MAJOR conflict, despite its serious implications on the nature of the relationship, is not explored in a meaningful way at all. Instead, it is trivialised and resolved lazily with the intervention of a third party: Sakura’s ex who serves no other purpose other than uniting the main couple through his douchebaggery (and waltzing out of existence as soon as he accomplishes his mission). Sakura’s selfish behaviour is, once again, played off lightly as part of her being a cute anime girl and Character A never stops to think for himself or reconsiders participating in the toxic relationship.
The side characters of Pancreas are unnecessary and insignificant in the grand scheme of the plot. Kyoko, Sakura’s best friend, incessantly harasses the unnamed protagonist for hanging out with Sakura. Worse yet, she never attempts to sort out their differences, perceiving the protagonist in an overly negative light that is never justified due to her lack of characterisation. Takahiro, Sakura’s ex, serves no purpose but to resolve the climactic conflict between the two main characters, appearing in a total of two scenes in the movie. Without exaggeration, he disappears and is never heard from again after he fulfils his role. The most mindboggling side character is, without a doubt, Miyata, not for any of his personal intrigue but for the sheer pointlessness of his inclusion in the movie. For anime with a school setting, the dumb sidekick character has traditionally been a staple. With that said, Miyata does not even satisfactorily fulfil that role. He has nothing resembling a relationship with Character A, only occasionally offering him gum and getting refused. While his character’s action can be interpreted to mirror Character A’s growth as a character, what is presented to the audience falls short, resulting in a pointless, random and unnecessary husk of a character. None of the side characters has any business being included in the movie considering their (lack of) characterisation and nothing would have changed in the grand scheme of things if Kimi no Suizou wo Tabetai only revolved around the unnamed protagonist and Sakura.
ENJOYMENT: 4/10
Despite my low initial expectations, I left the cinema feeling wholly disappointed. From feeling bored at how cliché everything was since minute one, I was aggravated by how in-your-face the movie got as it went on, treating the audience like complete idiots who could not think for themselves. The philosophical statements on life and death from the main characters are shallow, bringing nothing new to a topic that has been done to death already. From an emotional perspective, Pancreas falls flat, its supposedly climatic or shocking moments eliciting little due to how unrelatable the main characters are. Overall, Pancreas was unenjoyable and had me wondering when the movie was going to finish as it trudges through a tired, uninspired narrative.
Kimi no Suizou wo Tabetai – Final Score: 5/10.
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Overall10
Story10
Animation9
Sound9
Character10
Enjoyment10
Say what you want about this movie being generic or being acclaimed only because it is a “tearjerker”, but I don’t care. I loved this movie, and I cried my eyes out. The reason people love tearjerkers is because people want to be moved. We want to experience something that will truly take us away from our lives and make us feel something so strong that we are moved to tears. This movie did just that. In an effort to avoid spoiling anything for anyone, I won’t write about the climax and ending, but it was unexpected. That said, I couldn’t imagine it ending any other way. This was a beautiful portrayal of a genuinely unique and special relationship between two people. I highly recommend it!

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